Working big to small

Between two book editing projects, a few smaller editing projects, my usual newspaper gig, and a case study, August was unexpectedly busy. But here I am, and I’m looking forward to more busy-ness in September (as well as a break from all the heat advisories).

In the meantime, I’ve been revising a few stories of my own as well as working on the next story, and beginning research for the story after that. And I keep relying on advice from my drawing teacher.

Nope, I am not a professional artist. I have just enough talent to know how much more I would need to be a professional artist. But I love art in all its forms, from gallery paintings to comics, and I take art classes for fun. My teacher for the past few sessions is an excellent artist, helpful in all aspects of technique, and there are a few things he says regularly. One is that you have to study an object pretty thoroughly before you can draw it, instead of just glancing at it and rushing your pencil into action. Another is that you need to work “big to small”—that is, sketch in the big shapes first, figure out where all pieces are in relation to each other, then start to add in the details.

Turns out his advice works pretty well for writing, too. Even pantsers—and I am definitely a pantser—have to know a few basics before they start writing in earnest. Be a reporter: Know the who, what, when, where, why, and how. In other words, study before you draw.

And work out the character arcs, plot, beginning, and ending before you stress about the color of the curtains in the living room, or whether you’re using the right word to describe the sound of your protagonist’s voice in one scene. Sketch in the most important things first, and swing back later for the details. Work big to small.

I didn’t expect to get good writing advice from art class, but I’m calling it an extra-credit lesson, and will use it to the fullest.

Happy reading and writing this month.

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