25 years

On Sept. 11, 2001, I was in Florida, getting ready to take a copy editing test at the Miami Herald. A friend called to tell me to turn on the TV. I watched the coverage of the first plane hitting. There was still a moment—about 17 minutes’ worth—when people were shaken but thought it’s a small plane, it’s a freak accident. Then the second plane hit, and we all knew the truth at once.

My then-fiance’s mother and my uncle both worked in New York. We heard from her early, that she was OK, and that was the last word for hours. My uncle wasn’t in the city that day. I was on the phone with him when the first tower collapsed. I don’t remember what I said. The second tower went down soon after.

I tried to reschedule with the Herald, but they assured me that it was fine, I could still come in. I’d been looking for a job for months. Numbly, on autopilot, I drove into Miami and took the test. I didn’t get the job.

My fiance’s mother worked a few buildings over from the World Trade Center. She’d also been in the city during the 1993 attempted bombing, so she refused to go back to her desk after the first plane hit. Yes, some office workers were told to go back to their desks. She managed to get on one of the last ferries out of New York before mass transit shut down. We didn’t know that for a few hours because the phone lines also went down. Everyone we knew called us, asking if she was OK, and we didn’t have an answer until she got through to us much later.

Meanwhile my former colleagues at The Record—who would become my colleagues again after I returned to the newsroom a few years later, because Florida living wasn’t for us—were in and around New York, covering the news. One of them took this photo. You’ve probably seen it. It was all over North Jersey afterward. I remember someone had painted it on a shed by their house.

My fiance’s Floridian co-workers were mystified. They thought the WTC was a tourist attraction and not office space. They thought no one in the city would be at work that early. Wrong and wrong.

When, a few months later, I heard a radio DJ plaintively ask if it was OK yet to hate New York again, I felt a flare of anger.

A lot of people in New Jersey commute to New York for work. I did it. My fiance-now-husband did it. There are 9/11 memorials all over North Jersey, large and small, because so many towns in the area lost people.

I listen to the recitation of names at Ground Zero every year, but otherwise I try to avoid 9/11 remembrances. I don’t watch the news footage from that day. Seeing it the first time was enough. But it’s been 25 years and our kids have grown up in the world that came afterward. I wish we’d had a better world to give them.

A lot of things changed that day, mostly for the worse. I remember all the posted MISSING signs of people who probably never came home. But I also remember American flags everywhere. I remember the stories of people helping each other, running toward the danger instead of away. I remember a bruised, defiant sense of unity.

We seem so far from that. We should try to get back there.

We want magic

A couple years back, I chaperoned my kiddo’s class trip to see the Aaron Sorkin adaptation of “Camelot” on Broadway. The cast was great, of course. The songs are always great. And Morgan Le Fey got to deliver an interestingly modern take on womanhood and the importance of scientific discovery (or something like that). What wasn’t in that production? Much if any magic.

I don’t mean the production wasn’t magical. I mean the whole existence of magic was irrelevant to this production. Morgan didn’t do any sorcery, in my memory. Merlin didn’t do any wizardry. It was a stripped-down, bare-bones story of a romantic triangle that happened to take place in a king’s castle and the king’s vengeful ex and kid he’d never met before had some strong opinions on the matter, and then there was a war. Camelot was a beautiful dream, the end.

I was reminded of that production after seeing “The Odyssey” last week.

Don’t get me wrong—I liked the movie. I was impressed by the sweep and grandeur of it. The battle scenes are amazing, the sound is incredible, the cast is strong all around. See this in the theaters if you’re going to see it because it is exactly as epic as it ought to be.

But where is Poseidon? Hermes? Zeus? Why does Athena have almost nothing to do? What happened to the bag of winds? Why is Calypso never identified as a goddess? Where are all the Lotus-Eaters, and why didn’t Odysseus need moly to beat Circe? Some of the fantastical elements of the story are still there—Circe beswining the men (that scene alone is a whole horror movie), the men escaping from Polyphemus, Odysseus speaking with the dead and hearing the Sirens’ song and choosing between Scylla and Charybdis. But overall this isn’t a story about men defying, doing penance to and serving as avatars of the gods; it’s a story about men and how they hurt each other. Not a wrong interpretation. Just a less magical one.

Look, I’m a fantasy nerd. I want the magic. I’m more interested in Merlin and Morgan and the Lady of the Lake than I am in King Arthur being a lousy husband. I want to see Odysseus’ crew open up that bag of winds and Athena vs. Poseidon vs. Zeus to decide whether Odysseus gets home at all. I appreciate the focus on human emotions and human failings, but also, I can get all that from mainstream literature (or from reading the news). I read—and write—stories about magic because they have that extra sense of possibility and wonder. In a story with magic, almost anything can happen. That’s the point.

Sometimes I think big-name directors feel obligated to downplay magical elements in adaptations in order to appeal to mainstream audiences. Please. I was at two anime cons in the past month and both were packed. A local brewery has started hosting D&D night. I hang out at RenFaires and witchy craft fairs. People love this stuff. Give us magic!

Literally all that said, this is still not a complaint because I know the nastier parts of the internet and various literary figures have been sniping at each other over “The Odyssey.” And I think the real takeaway is this: There is a movie adaptation of one of the oldest stories in Western civilization, a story lots of people studied in school, and intellectual types are arguing about the movie and this is getting actual news coverage while the movie continues to blow up the box office. And that is pretty cool.

But seriously, read the book too.

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Staying on the theme here, I wrote another Greek-mythology short story that will go to one of two possible calls for submission. I’m trying to decide which one. But the ending made me cry, so I’m figuring I’ve got something good.

And I’m trying to work out the final scenes of this novel-in-progress. I might get that done this week but no promises.

I’m also trying to decide whether I should start a Substack in addition to this blog, or as something to point to the blog, or instead of the blog. It’s very hard to determine what on social media is worth doing and what’s still going to be around in a couple years, and what if anything is more valuable than a website that I pay to maintain. Suggestions are welcome.

In the meantime, have a pleasant week and remember, if you get into any shenanigans, explain that Nobody made you do it.

Nerd news and notes

Last week I played nerd chaperone.

I took my teen and two friends to TineeCon, an anime con. I scrambled eggs for breakfast while they got their Demon Slayer cosplays ready, then I got into *my* cosplay and off we went. (Who was I cosplaying as? Let’s just say it would be easier if my favorite Critical Role character didn’t have white hair. I hate wigs.)

Nerd culture is such ridiculous fun. It’s where you fit in if you don’t fit in anywhere else, and you can always find other people to infodump about your favorite TV shows, movies, and comics with. And it’s a real antidote to the everything-is-AI zeitgeist. People create their own cosplay outfits, sometimes from scratch, making armor out of cardboard or swords out of papier-mache, bedazzling coats, modifiying wigs. Fans write their own fanfic and draw their own artwork for their various fandoms and post it online. This is actually a good way to practice writing or art: The characters and setting are already created, so it’s effectively playing in someone else’s sandbox. And the vendors at any given con, RenFaire, or other nerdy event, who create their own pins, stickers, stuffies, jewelry, and 3D-printed everything, have “No AI” signs at their tables. Or something more R-rated.

Also, if you happen to be socially awkward and/or neurodivergent, at an event like this you won’t be the only one. I started hanging around cons when I was in high school—Star Trek mostly—and it meant a lot to have a place to belong.

TineeCon was great. It was the second year for this event, and apparently they’d already switched to a bigger venue from last year. I talked to a few people who came in from out of state to attend. There were fandom meetups, panels, voice actor appearances (that we never actually got to, oops), lots of vendors. Lots of fandoms represented from cosplayers. I’m behind on my anime so I didn’t recognize everyone, but I did see multiple characters from “The Owl House,” “The Amazing Digital Circus,” and “KPop Demon Hunters,” some Greek gods and goddesses wandering around thanks to the “Epic: The Musical” meetup, characters from three out of four Critical Role campaigns, a really impressive Marvin the Martian, and for some reason the Buc-ee’s beaver. One delightful panelist talked about “Epic: The Musical” and “The Odyssey” and taught us to sing a line in ancient Greek. The only downside? The food trucks were outside, in 80-degree heat, and there I was in my long blue coat. I got my food and fled to the air conditioning. I need a warm-weather cosplay.

The attendees skewed young, which made me feel like an ancient nerdly elder, but it was hard to be grumpy in such a welcoming crowd. Besides, how could I not appreciate the mother-child bonding time? Even if we were spending it in line for the dealers’ room.

###

The “Odyssey” movie is out and I expect to see it in the next week. I’m excited, especially after finally getting to read the rest of the “Odysseus” anthology I’m in—my story about poor Phemius the bard is in fantastic company. Definitely curious to see how Phemius shows up in the movie. But also? I love seeing this much buzz about a book adaptation. Maybe more people will read the book.

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Speaking of books, and I wish I were saying something positive: I’d been worried, the past few years, that Jewish stories and stories by Jewish authors were becoming a harder sell, and this author’s research suggests that’s true. It’s frustrating and demoralizing. For my part, not a single story of mine with Jewish characters or content has sold in the past couple years. That’s not just short stories—that’s also the middle grade novel that won two work-in-progress awards. And I don’t know, honestly, if the Jewish content is the real reason or part of the reason, or not the reason at all. I’ll never know. I keep writing and I keep trying, but this increasingly feels like swimming against the tide.

Freezing Jews out of the publishing industry, or any other industry, isn’t activism. It’s just hurting Jews.

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At any rate. I’m making good progress on my banned-magical-books and persecuted-mages fantasy story that is definitely not inspired by current events or recent history. I’m hoping to have a decent draft together by the end of this year, and then I’ll start fine-tuning. And if any more short story ideas happen to present themselves along the way, I’ll write those too.

Watch out for wildfire smoke, have a pleasant week.

Recovering from StokerCon

I made some assumptions when I went to the Horror Writers Association’s StokerCon last week. One was that the drive to Pittsburgh wouldn’t take an entire day. Another was that Pennsylvania rest areas are just like New Jersey and New York rest areas and have restaurants available, instead of making you leave the highway to find food. A third was that I would have the time and energy during the conference to work on my novel.

No, no, and not a chance.

There are a lot of panels and author readings at StokerCon, pretty much nonstop from Thursday to Sunday. At any given hour, there are at least three interesting choices but you can only pick one. Then figure out meals in between them. And there is a lot of socializing. Hanging out at the hotel bar. Hotel room parties. Expeditions to local restaurants. (Excellent pierogies. I love pierogies.) Author signings and talking to the friendly indie publishers in the dealers room. Plus the short horror film festival and the Stoker Awards ceremony, for which people put on their spooky/goth/quirky/glittery best clothes. And getting a chance to walk around Pittsburgh and visit an art festival held on a bridge.

And getting to meet the other members of my writers group in person for the first time in three years. They are cool people and amazing writers, and it’s a privilege to read their work. Turns out they’re also fun to explore Pittsburgh with (we walked through a cemetery, seems appropriate) and bond with over Stephen King fandom.

I haven’t been a true night owl in years—children have this annoying need to wake up early for school—but I became one again for the purposes of this conference. And then came back to my hotel room every night and collapsed.

And then came home and got sick. I’ve heard about con crud but never gotten it before. Most of last week was spent coughing and feeling blah. Honestly? Worth it.

While I was feeling blah, I got two story rejections. Those stories have been boomeranged right back out, of course. What I heard at StokerCon inspired me to rewrite another story that had never quite worked, so I’m about to send that one out as well.

Creative inspiration is a big reason to go to writers conferences. But the best part is talking to other writers. You can commiserate with each other, get excited about each other’s work, lift each other up. Who else is going to understand this weird thing we do besides other writers?

I’m already looking forward to next year.

Why scary is good

Reading or watching a horror story is like riding a roller coaster.

No, hear me out.

It’s scary. There are unexpected twists and turns. There’s a horrific drop and your stomach leaps into your throat. You close your eyes, you don’t want to look. You think this goosebump/shivering/screeching moment will never end. And then it does, and you’re okay. You breathe a sigh of relief and you might even be proud of yourself for surviving so well.

(Did this metaphor occur to me because I was just at Disney? Maaaybe.*)

That’s the point of scaring yourself, though. To show that you can handle it. That scary things are survivable and monsters can be beaten. In a weird way, it’s empowering.

This is on my mind since I’m attending my first StokerCon this week. It’s my first Horror Writers Association event, my first non-kidlit writers conference in years, my first time in a new city. Certainly the biggest writers conference I’ve attended. I’m hoping to meet some cool fellow nerds and learn some useful craft/industry info. Also hoping not to get lost. No promises.

It feels a bit like starting over, in that I’m not basing my entire fiction-writing identity around kidlit anymore. This time, though? I already know better than to walk around in heels. I’ll be the one in sneakers, thanks. With a notebook and an open mind, and whatever happens happens.

It’s a risk, and a lot of new faces, and possibly scary. But you know, I love roller coasters.

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I’m still on a high over Flame Tree’s Odysseus anthology, which is so gorgeous and such a pleasure to see my work in. A group of writers I know have started holding monthly public readings of their work, either published or in progress, at a distillery. Lovely place, speakeasy vibes, the drinks are dangerously good. At the last meetup, I brought the anthology along and read some of my “Phemius” story. I didn’t expect it to be so much fun to read aloud! I wrote it to sound like a bard was talking, very lyrical and serious, and it forced me to perform the work as well as read it, which is the right way to read a story aloud anyway. The real-time audience response was about as good as the drinks.

It’s tough to get a sense of how people will respond to your stories when you’re sitting at your desk by yourself, not hearing anything but your own thoughts. If you get a chance to share your work publicly, and support other writers who are sharing theirs, do it. Walking up to a microphone in the middle of a crowded bar is also scary, but it’s worth the ride.

*Bending my metaphor here to note that my must-do ride at Disney isn’t a roller coaster. It’s the Haunted Mansion. Have we not established that I like spooky things?

Sail on

It’s always exciting to get author copies in the mail. I think, what is this box, I don’t remember ordering anything, and then I open it and my work is inside!

Flame Tree makes such lovely-looking anthologies, and it’s such a pleasure to be included in this one. Especially after a few previous attempts to get acceptances to Flame Tree anthologies. They have excellent calls for submission, and now I can confirm that they’re also excellent to work with and pay really well. Their Substack offers reliably great writing advice too.

I’m having way too much fun with the ocean theming here. I already owned the giant shell in this photo because I own a thousand sea shells. C’mon, I’m a Jersey Shore kid. I spent my childhood beachcombing and playing Skee-Ball.

I also participated in Flame Tree’s social media campaign for the book, which is a rare occasion to see my actual face on Instagram. Please do appreciate the painting behind me in that video, because my grandfather made it. He wasn’t a formally trained artist, couldn’t go to art school. But he loved painting boats and the ocean, and I think it’s a real privilege to have some of his work on my wall.

I technically have two author copies of the anthology, but my Greek-mythology-nerd kid has swiped the other one. I think he’s taking credit for inspiring my story in the first place. (Not entirely untrue. To be fair.)

Anyway, see you at the theaters for the Odyssey movie. My kid will be the one nitpicking every scene. I’ll be the one nodding politely and eating popcorn.

If you want to know more about the Odysseus anthology, check out Flame Tree’s site.

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It’s been a scary week to be Jewish, she says, as though that has not been true week after week after week. But incidents like this really bring things out in the open. And this. And this. And those are just the violent or potentially violent incidents over the past week. Not shown: all the other incidents.

May is Jewish American Heritage Month. If you’re feeling so inclined, read a book by a Jewish author. If you like it, tell them so. We’d appreciate a little solidarity these days. It goes a long way.

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One of my long-shot story submissions—the “lottery ticket” one—wasn’t accepted. I was sad about it for a day or so, but that’s the risk of playing the lottery. In the meantime, I kicked another story back out to a magazine and am continuing to work on the fantasy novel.

I’m also maybe doing something a little ridiculous and revisiting my first middle grade manuscript. I still like it. Is it publishable? *insert shrug emoji here* I might send it a few places just to see.

Make them tell you no, right?

The sun is out. Have a lovely week, be safe.

News, updates, etc.

First off, here is the cover for the Odysseus anthology I have a horror-ish story in. Look at it! It is gorgeous.

Flame Tree creates such pretty-looking books. I can’t wait to hold it in my hands and read the other contributors’ stories.

And yes I will be going to see the new Odyssey film in July, and I’ll expect my Greek-mythology-nerd kid to be nitpicking it the whole time. I will shrug and eat my popcorn.

I am currently making my way through the Sherlock Holmes-themed anthology I have a story in, and there is some great stuff in there, including a story in which Watson hangs out with Vincent Van Gogh. Mine puts two female characters at center stage and takes place in America, because the Hudson Valley region is gorgeous and because I said so.

There are other stories I’m trying to find homes for—fingers crossed as always. The short story I’m working on now seems more or less coherent, so I’m switching back to the fantasy novel for a while in order to make the rough draft less rough.

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In-person book events are a delight and wow is a strong internet connection necessary. That was my takeaway from a multi-author event last weekend. I showed up to surprise my author friend Lisa Fox, whom I’ve known so long we were editors at our college newspaper together. (She is awesome, check her work out.)

The place was busy! People are absolutely looking for that in-person connection with authors, if this event was any indication. A lot of attendees brought tote bags along for their purchases, which is a thing I should have thought of. I got to chat with a number of authors, always a pleasure, plus there was live music, author presentations, bookmark decorating, and food. And a mobile bookstore outside. Lots to do.

About that internet connection: No authors I talked to had credit card readers, and you can’t Venmo a payment if your phone isn’t getting a signal. I had some cash on hand, but my buying options were limited. This of course was probably better for my wallet. But I do like to support other authors.

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I don’t necessarily post something every time there’s an attack on Jews or synagogues because if I did, that would be the entire content of this blog, and I would be posting daily. It’s not just frightening, it’s exhausting.

But I will say this:

Twice in the past few months, I’ve donated money to a U.S. synagogue to repair or rebuild after it was damaged in an attack.

I’ve been walking past armed guards to attend services at least since the Pittsburgh synagogue shootings, and maybe before then. I expect I’ll be doing that for the rest of my life.

None of this is okay.

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In the meantime, I keep telling stories because that’s what I know how to do.

Have a good week, stay safe, enjoy the sunshine.

Still debating

Here’s what it means to be a minority religion/culture within a majority society: Every time something is scheduled on one of your holidays, you have to decide whether it’s worth the pushback.

Purim began on Monday night (all Jewish holidays start at sundown, as does Shabbos). I also had a meeting on Monday night. I serve on the board of this group, and I already knew the meeting date couldn’t be moved. Attend the meeting or bail on it?

There’s a bit of a hierarchy of Jewish holidays, which is good since we have a lot of them. I would never do work, volunteer or otherwise, on Rosh Hashanah or Yom Kippur. Passover seders are supposed to be held on either the first or second night. Hanukkah is more of a minor holiday and also lasts eight days/nights, so I’m not worried about getting a celebration in.

Some of this decision-making depends on the person’s observance level—I wouldn’t take time off for Passover or Sukkot, but another Jew might, especially if they’re attending synagogue or hosting guests.

Still. Every time I have to make this type of decision, I think: If I don’t push back, am I making things worse for other Jews? Will people point to me as the reason why other Jews shouldn’t be accommodated for holidays? It weighs on me.

My interfaith-secularish family celebrates Purim our own way—we retell the story (using the goofball play I wrote), eat dinner, eat hamentaschen. I could do all that and then get to the meeting, so I did. Right decision? I’m still not sure. But it’s an ambiguity I’m used to living with.

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I’m pretty unlikely to weigh in on the current war here. Except to say this: Please get information about it from actual reporters. There’s misinformation and propaganda (and AI) spreading through social media, and a lot of it devolves into hatred, from all sides. Skip it and read real news publications.

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In writerly news, I’m expecting my contributor copy soon of a Sherlock Holmes-themed anthology I’m in, and yes I am nerding out about this. I’ve been a Holmes fan since I was a kid. In my story, Mary (Morstan) Watson doesn’t die but instead ends up having an adventure in America with Irene Adler. Super fun to write. You can find the anthology here.

Just putting it out there that I also love Star Wars and Critical Role, in case anyone’s looking for writers.

I recently submitted stories to two long-shot anthologies, like “here’s my lottery ticket!” kind of anthologies. I really like both stories, so we’ll see what happens.

In the meantime, I think my fantasy novel-in-progress is starting to look like something. Although now I’m not sure if this is one book or two. I would like this manuscript to make up its dang mind.

Hope good things happen for you this weekend. Stay safe.

New story announcement

Write what you know.

It’s good advice but so easy to misinterpret.

Taken to the illogical extreme, writers wouldn’t be allowed to write anything beyond their own lived experiences, and that would kill a lot of good writing. You can create whole worlds with a decent amount of research, imagination, and empathy, so why wouldn’t you?

I think the point is to write what you know emotionally. You can write about heartbreak or loneliness or joy if you’ve lived it. How you infuse those emotions into your characters is up to you.

The horror story just published on Gavagai is a little bit of my real emotions, but it’s also based on my secret fears (knowing all too well what life is like for kids who are “different”), and I’m glad it isn’t reality. Hope it resonates with you.

An announcement, and a message

I had the call for submissions up on my screen when my 16-year-old walked in and said excitedly, “Is that an Odyssey anthology?”

Like any standard fantasy nerd, my 16-year-old is having a Greek mythology phase. Mine started in grade school (Clash of the Titans!). My kiddo’s is based around Percy Jackson and Epic: The Musical, and this is a shout-out to the other parents who also brought their teens to the Troy Doherty concert in New York a few months back because Troy sings Hermes in Epic. There was a girl cosplaying as Circe on line behind us and handing out little pig trinkets. I love a good fandom. (But I also texted my husband, “I feel like I’m chaperoning the prom.”)

“You have to write something for this,” my kiddo said.

“I will if I come up with a good idea,” I said, and promptly started rereading The Odyssey.

Anyway, I’m excited to announce my story is one of the offerings in the anthology! “Phemius” retells the homecoming of Odysseus through the eyes of the unlucky poet who happens to be performing for Penelope’s suitors that bloody day—so yeah, basically a horror story. Odysseus from Flame Tree Press will be available in April, and I can’t wait to read everyone else’s stories.

And I scored some cool points with my kiddo.

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I was out on a freelance assignment the other day when the person I was interviewing mentioned he liked my Star of David necklace. I paused before thanking him. Usually when people notice you’re Jewish, it isn’t a good thing.

I don’t hide who I am in any setting. Mostly because I shouldn’t have to. Also because I know that hiding doesn’t work.

I attended an Orthodox synagogue as a kid, but at home we were outwardly pretty secular—wore the same clothes as everyone else, ate the same food (outside the house, anyway), attended public schools, did all the same ballet class/softball kid things. I’ve always had a not-Jewish-sounding name. I’ve been told, more than once, Oh, you don’t look Jewish! like it’s a compliment. I never wore a Star of David to school. And yet the other kids threw pennies at me anyway. Called me names. Told me I killed Jesus. Hiding didn’t matter. When you’re “different,” people know.

So I don’t hide. But being Jewish in public has gotten a lot more fraught in the past couple years.

My heart is scorched by the terrorist attack in Australia on families who just wanted to celebrate Hanukkah. By all the other attacks on Jews around the world, a whole litany of them in recent years. I am tired and furious and sad.

But I’m still wearing my star. And I’m lighting my menorah tonight.

Driving out the darkness is the point.

Happy Hanukkah.