Creativity outside the comfort zone

“Sure, I’ll do an art class with you,” I told my friend. I wasn’t expecting any actual art to come out of it, but hey, why not.

I hadn’t taken a proper art class since college. (Paint and Wine with my husband on Valentine’s Day doesn’t count. Though it was fun.) I was an art minor. There might be some germ of a molecule of art talent in there somewhere, but I knew words were my thing. That was especially obvious when I looked at my classmates’ work; if I was playing cute little melodies, art-wise, they had full orchestras going. So I had no great expectations for my art classes, but I enjoyed them. Then I graduated from college and stopped making art.

A month ago, my friend said she’d always wanted to take an art class but hadn’t done it. I shrugged and signed up with her.

It was a pastels class — a medium I’d used twice, maybe — and the instructor was great about sketching out the way to copy the chosen picture, piece by piece, with suggestions on color and type of line. And with such guidance, I got this: IMG_2372 (1)

Which isn’t bad!

The thing is, I dropped art in the first place because I was a writer, and I thought I should focus on writing. But practicing any form of creativity makes you better at being creative. Making art, or music, or writing in a different form or style might even jog you out of a creative rut, helping you to see something with a fresh eye (hey, see what I did there?).

I still don’t see myself as an artist. But remembering that I could make art, aside from the various works-in-progress in my notebooks, was actually pretty empowering.

My friend and I had a fine time and are already discussing which class to take next. I can’t wait.

 

 

 

Hurry up and wait

So here is where my day job conflicts with my fiction writing.

My day job currently consists of writing news and features articles, and editing pieces for various companies. I’ve done the newbie-reporter gig of covering municipal meetings and county fairs, and logged a number of years as a newspaper copy editor. The copydesk edits all articles in the paper, writes the headlines, fine-tunes (or fully creates) the page layout and clears everything to go to press. What does all this have in common? It needs to be done right now. Or ten minutes ago, if you can swing it. Deadline waits for no one. Missing deadline and making the paper late invites capital punishment. Think I’m kidding? Here is the original definition of the word “deadline.”

When I started seriously writing fiction and researching the kidlit industry, imagine my surprise to discover right now is not how it works. Agents and editors don’t want you to rush. They want you to put the story down, give it time, then pick it back up with new eyes so you can revise it properly; if you send them a revision too quickly, they’re liable to decide you took too little time on it and reject it. I was at first baffled by this, then slightly tearing-my-hair-out about it. “But don’t you want it to be done? Isn’t it done now? How long should I be taking to make it done? Arrrrrrgggghhhhhhh.”

It’s taken some practice. But I’ve been getting better at allowing time for breathing room, and letting the story be done when it’s ready to be done. So, don’t make my newbie mistake. Put it down. Give it time. Breathe.

(But if you’ve got a firm deadline, please, don’t blow it.)