Tag: publishing

What I’m up to

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I only make chicken soup once or twice a year. It isn’t hard—it’s just tedious, if you do it the traditional way. Boil the chicken in the pot, skim off the fat, skim off more fat, sheesh didn’t I get it all yet? Then add the other ingredients and simmer. Make the matzo balls in a separate pot, then drop them in. Haul out the chicken, leaving some bits for the soup, trying to get all the bones out. You won’t get all the bones out. Eat carefully. But also eat a lot of it, because homemade chicken soup is amazing, especially my mother’s recipe.

We hosted my family’s Passover seder this year, which meant I guided ten people through my slightly abbreviated version of the Haggadah and then served them soup, among other things (did my sister think my mother had made that soup? Yes she DID). It went pretty well. My other sister brought gefilte fish, which I am happy to confirm I still loathe, but my parents and sisters love it so it got eaten.

There was some debate in Jewish publications about whether it was appropriate to celebrate Passover this year, given the state of the world. I respect the thought process behind that, but here’s the thing: During the pandemic, we didn’t see people. Not for Passover, not for Easter (we’re interfaith), not for Hanukkah or Christmas or anyone’s birthdays. My father-in-law died on Easter Sunday 2020 and we couldn’t hold a memorial service for a year. If we’re lucky enough to be able to celebrate events in person now, we’re going to do that. And we’re going to hope for better, calmer days ahead for everyone.

So, here’s what I’m doing lately. I do the occasional fan panels for an all-virtual con called ConTinual and it’s a lot of fun. Here I am talking about Buffy Season 2 and about Good Omens. My next published short story will be in an all-dragons anthology from WolfSinger Publications, and I’ll update that link when the pub date is official. And I’ll be officially receiving the Sydney Taylor Manuscript Award at the AJL conference in June.

Also, I’ve started volunteering for Strong Women-Strange Worlds, a regular virtual showcase for female/nonbinary/underrepresented gender authors of science fiction, fantasy, and horror. It’s a really nice group, and if the above describes you, sign up to do a reading! They’re always looking for more people.

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World Central Kitchen is back in Gaza, so it seems like a good time to give them a donation. Other suggestions follow, in no particular order:

Project HOPE offers training and support to health care workers and health care services around the world; it’s helping coordinate delivery of needed equipment, supplies, and services to people in Israel and Gaza

The Alliance for Middle East Peace is a coalition that works to build trust between Israelis and Palestinians; it’s creating emergency shelters, collecting donations, and offering support in other ways

The UN’s World Food Programme supplies food and vouchers to people in Gaza and the West Bank

IsraAID is the largest humanitarian aid group in Israel, according to its site, and it responds to crises worldwide; it’s helping with humanitarian activities and mental health support for Israeli evacuees

The Palestine Children’s Relief Fund has been sending food, water, and medical supplies into Gaza

Sulala Animal Rescue is the only animal rescue shelter in Gaza; it’s raising funds through Animals Australia

National Council of Jewish Women is a women- and family-centered social justice group that’s raising funds to provide basic needs, counseling, and advocacy for women and families impacted by the Hamas attack

Women Wage Peace is a women-led, nonpartisan grassroots group that advocates for a diplomatic solution to the Israeli-Palestinian conflict

Soroka Medical Center is handling the emergency medical response in Israel

The JDC helps Jews and others in crisis around the world

Save the Children is trying to get needed supplies into Gaza

American Friends of Magen David Adom is Israel’s first aid/first responder service

United Hatzalah is a volunteer emergency medical services organization that operates across Israel

Americares is trying to assist with people’s medical and mental health needs in Israel and in Gaza

The International Committee of the Red Cross is providing medical supplies and household items to people in Gaza and trying to advocate for hostages still being held in Gaza

An award, and validation

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I’d been starting to wonder if I should keep trying to write for children.

Kidlit can be a tricky industry to break into (along with publishing overall), and sending my work out was starting to feel like shouting into the void: no one was answering. Meanwhile, my short fiction for adults was getting published. Maybe I was shouting at the wrong place?

I submitted my middle grade manuscript to the Association of Jewish Libraries’ Sydney Taylor Manuscript Award, figuring nothing would come of it, and I went about my day.

… and then I won.

I really wasn’t expecting to win. I’m still pinching myself. It feels amazing to know the committee liked my story, and that this award could help me someday get it into readers’ hands.

Also, I love golem stories! I’m mildly obsessed. See: my current writing notebook. (Not shown: golem pin, golem laptop sticker, golem desk figure, various golem books.) It’s especially great to be recognized for writing about something I love.

Even if it is frustrating to have watched the topic get timelier every year since I started writing the story. But that’s another post.

I thought I needed to stop writing middle grade, but it looks to me like I should keep going.

So if anyone needs me, I’ll be writing.

On writing short

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There are pros and cons to writing short. Pro: I write exactly what I need to write without excessive wordiness. Con: Sometimes I don’t write nearly long enough.

I had to skip out on two different calls for submissions this week because there was a requested minimum word count, and the stories I had in mind weren’t even close to that minimum. Adding a few hundred words, that I could’ve managed. Several thousand? I think I’d wreck the story.

It’s disappointing, but editors ask for specific word counts for a reason (whether or not they share that reason with us). I can gripe about missing out on a terrific-sounding call for submissions, or I can go find another market for my work. So far, I’ve had pretty good luck with the latter.

Regarding Israel-Gaza: I waited all week to see if the long-awaited hostage releases were about to begin, and seeing them underway lifts my spirits. I’m hoping very much that they will continue successfully.

Charitable organizations to donate to are below; new additions are at the top and this is not in any order of importance. Stay well, stay safe.

Project HOPE offers training and support to health care workers and health care services around the world; it’s helping coordinate delivery of needed equipment, supplies, and services to people in Israel and Gaza

The Alliance for Middle East Peace is a coalition that works to build trust between Israelis and Palestinians; it’s creating emergency shelters, collecting donations, and offering support in other ways

The UN’s World Food Programme supplies food and vouchers to people in Gaza and the West Bank

IsraAID is the largest humanitarian aid group in Israel, according to its site, and it responds to crises worldwide; it’s helping with humanitarian activities and mental health support for Israeli evacuees

The Palestine Children’s Relief Fund has been sending food, water, and medical supplies into Gaza

Journalist Sonia Weiser has launched a GoFundMe to start a Middle East Conflict Reporters Therapy Relief Fund to help journalists deal with the trauma of covering the Israel-Gaza war

Sulala Animal Rescue is the only animal rescue shelter in Gaza; it’s raising funds through Animals Australia

National Council of Jewish Women is a women- and family-centered social justice group that’s raising funds to provide basic needs, counseling, and advocacy for women and families impacted by the Hamas attack

Women Wage Peace is a women-led, nonpartisan grassroots group that advocates for a diplomatic solution to the Israeli-Palestinian conflict

World Central Kitchen is feeding displaced families in Israel and working with a local partner in Gaza to distribute meals to Palestinians

Soroka Medical Center is handling the emergency medical response in Israel

The JDC helps Jews and others in crisis around the world

Save the Children is trying to get needed supplies into Gaza

American Friends of Magen David Adom is Israel’s first aid/first responder service

United Hatzalah is a volunteer emergency medical services organization that operates across Israel

Americares is trying to assist with people’s medical needs in Gaza

Doctors Without Borders is trying to assist with people’s medical needs in Gaza

The International Committee of the Red Cross is providing medical supplies and household items to people in Gaza and trying to help people in Israel locate missing family members

Letting a story steep

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I finally found my way to a completed draft of that short story this week, and then let it sit a couple days while I played around with another story. Stories definitely need to sit. To steep, like tea. You need to leave them long enough to forget what you wrote, so that when you go back and revise it’s like you’re looking at someone else’s work, and you can be more objective. You’re more likely to see what’s missing—the plotline dots left unconnected, the character you never bothered describing—so that you can deepen and complete the work. (Critique groups help too! They’ll always see things you didn’t.)

Since I’m one of those throwback types who writes longhand first drafts (pretty notebooks are essential, Parker makes the best pens), typing the story into a Word doc also serves as my revision process; what I originally wrote changes as I type it. Your process may vary.

I’m trying to balance doomscrolling the news with staying productive. We’ll see how this week goes.

The weekly roundup, plus a few additional items of note:

Several organizations have teamed up to launch a site where college students, families, or staff members can report antisemitic incidents. And a group of Harvard students are collaborating on a text hotline in which Jews, Muslims, Palestinians, Christians, Israelis, and Americans are answering people’s questions about Israel-Gaza. It’s Harvard-only right now, but I’m including it because they’re hoping to take it nationwide.

Organizations to donate to are below; new additions are at the top and this is not in any order of importance. Stay well, stay safe.

IsraAID is the largest humanitarian aid group in Israel, according to its site, and it responds to crises worldwide; it’s helping with humanitarian activities and mental health support for Israeli evacuees

The Palestine Children’s Relief Fund has been sending food, water, and medical supplies into Gaza

Erika Dreifus runs the terrific The Practicing Writer e-newsletter for poets and authors; she posted a list of organizations to help. Her post is well worth reading.

Journalist Sonia Weiser has launched a GoFundMe to start a Middle East Conflict Reporters Therapy Relief Fund to help journalists deal with the trauma of covering the Israel-Gaza war (speaking from experience, journalists are frequently underpaid and do not always have great health insurance)

Sulala Animal Rescue is the only animal rescue shelter in Gaza; it’s raising funds through Animals Australia

National Council of Jewish Women is a women- and family-centered social justice group that’s raising funds to provide basic needs, counseling, and advocacy for women and families impacted by the Hamas attack

Women Wage Peace is a women-led, nonpartisan grassroots group that advocates for a diplomatic solution to the Israeli-Palestinian conflict

World Central Kitchen is feeding displaced families in Israel and working with a local partner in Gaza to distribute meals to Palestinians

Soroka Medical Center is handling the emergency medical response in Israel

The JDC helps Jews and others in crisis around the world

Save the Children is trying to get needed supplies into Gaza

American Friends of Magen David Adom is Israel’s first aid/first responder service

United Hatzalah is a volunteer emergency medical services organization that operates across Israel

Americares is trying to assist with people’s medical needs in Gaza

Doctors Without Borders is trying to assist with people’s medical needs in Gaza

The International Committee of the Red Cross is providing medical supplies and household items to people in Gaza and trying to help people in Israel locate missing family members

The Forward has a longer list of organizations that need help, and so does NPR. And CNN has set up a fund that allows you to donate to multiple organizations at once, including several listed above.

The state of school libraries

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My latest article for School Library Journal is about book challenges in school libraries across the nation. No, it’s not pleasant. Yes, it’s worth reading. And so are the books being challenged.

Librarians are the keepers of information in our society, and they shouldn’t be harassed and targeted for doing their jobs.

If you’d like to learn more, you can download SLJ’s full Controversial Books Survey. If you want regular updates about book challenges and advice on what to do about them, check SLJ’s coverage or Kelly Jensen’s weekly roundup in Book Riot.

My personal advice? Show up at your town’s school board meetings. You might not have a local newspaper anymore, and you should stay informed about what your school board is doing—and you shouldn’t let them or librarians be bullied into taking actions that would hurt people.

Good luck, and happy Friday.

What we’ve accomplished

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President-elect Joe Biden has won the election for approximately the 473897328763287643th time, front-line workers are starting to get vaccinated, snowpocalypse is coming tomorrow. Already it’s quite the week.

For Hanukkah, we did a chilly outdoor get-together with my parents, chatting behind masks until the wind was too much. For Christmas, we’re doing nothing. My in-laws live too far away, outdoors isn’t an option, staying there isn’t safe. It would’ve been nice for the kids to see their grandmother since they lost their grandfather to cancer in April, but that would’ve required more people (not to mention our leaders) to follow virus restrictions this year, wear masks, care about other people instead of blah blah blah freedom, so here we are.

If I sound angry and frustrated, that’s because I am. Those “we’re all in this together” ads have never been true, not once.

Still, those of us who are still here have managed to survive the pandemic and the horrific political climate of the past few years, and that’s an accomplishment.

If you’ve managed to create anything during this year, that’s an accomplishment, too.

In between rounds of edits on my middle grade manuscript, I started writing short stories again. One was published in Daily Science Fiction. Another will be published in an anthology called “Strange Fire: Jewish Voices from the Pandemic,” out next year. A third is waiting in a submission queue (argh).

I haven’t found an agent yet for my kidlit work, but I’m ending the year with two middle grade manuscripts that are stronger than they were in January.

I worked with some wonderful author clients this year on their manuscripts, including one for the second time. My coaching client got another article posted. And I picked up some new freelance writing work.

What about you? Did you create something? Did you make a sourdough loaf? Did you keep your household going despite all odds? All successes. We’re still in the tunnel, but there’s a light at the end of it.

So whatever you celebrate, have a happy, safe, quiet holiday. If you need an editor in the coming year, please do reach out. And go easy on yourself. You’re surviving a pandemic. You’re doing fine.

And then what happens?

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In the great plotters vs. pantsers debate, I fall pretty firmly on the side of pantsers. I have a general idea of how the story is going to end, but I discover things about it as I write—who my characters are, what they want, where they’re going. It’s not quite freewriting (which is also a good exercise!), but not quite organized, either. It’s a little bit like story improv.

In improv, in order to keep a scene going, the performers onstage will play off each other, building a scene together line by line. There are no mistakes, and no one gets to say “no” and kill the scene. It’s called the “yes, and” principle. Usually this requires another human being or two, but you can do “yes, and” as a solo game.

The protagonist is at school and overwhelmed about something he’s struggling with. What does he do? He storms out of class. Then what happens? He sees something suspicious in town and runs to tell his father about it. Then what? His father shrugs it off, and his worries—about his problems and about the strange visitors—only grow, especially after . . .

Well, I haven’t written that far yet. But I hadn’t planned any of the above details when I started writing.

One action leads to the next one, and the next and the next. Eventually you’ve got a plot, and because it’s built off what the main character and supporting characters will do or say next, it’s focused on their needs and desires, which means you’ve gotten to know your characters very well.

I might not keep everything in this story-in-progress after I’ve written my way through it. But it’s a lot easier to see what’s working and what isn’t when I’ve got a full story in front of me.

This technique isn’t going to appeal to everyone, which is fine—there’s no one right way to write a story. But it works for me, and it might for you too. Just keep asking yourself: What happens next?

Don’t bring this to the writers’ conference

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A fellow writer on Twitter last week was looking for advice on how to make the most of  their first SCBWI conference. Plenty of folks had good suggestions. My contribution: Bring a shawl, it’s cold in hotel conference rooms. Because I focus on the logistics of things. And seriously, it’s cold in those conference rooms (even in June!).

But the question got me thinking, especially since registration for NJSCBWI’s conference is coming up this weekend. There are plenty of lists and tips out there about the many things you should bring to a conference (business cards, printout of your workshop schedule, notepads, money for the inevitable book-buying spree), so I thought I’d focus on what not to bring. Here’s what to leave at home:

  • Heels. Unless you’ve found the one miraculously comfortable pair of them in existence. You’ll be speed-walking from workshop to workshop to critique session to group critique session to roundtable to the book sales area to lunch to dinner to whew. Ditch the fancy unwalkable shoes.
  • Adorable small bag. It will adorably fail you. You’ll be toting around notepads, your schedule, manuscripts, workshop handouts, books, business cards, phone, possibly a laptop or tablet, definitely at least five pens, and—as I mentioned—a scarf, sweater, or shawl, in addition to whatever things you normally carry around with you. Which is why you need a tote. But even a tote can’t accommodate the following baggage …
  • Preconceived notions. You don’t know ahead of time how the weekend is going to go. You might get a manuscript request from an agent or editor, but you might not; there are no guarantees. You might see some familiar faces, or you might make some new writer and illustrator friends. You might find the inspiration you’ve been seeking to finish your work-in-progress, or you might inspire someone else to finish theirs. Be prepared for anything.
  • Unhelpful comments. You know the ones. “Oh, I’ve got a great idea for a children’s book! I’m just going to sit down and write it some weekend.” “So you ever going to make any money at this?” “That’s cute you write for kids! But when are you going to write a real book?” “But writing is just your hobby, right?” They’re not useful, they’re not true, you don’t need them. Leave them home, in the trash.
  • Imposter syndrome. Writers, artists, all manner of creative people—no matter their level of experience—play this awful mind trick on themselves: I’ve never done this before, I don’t have an MFA, everyone else has been published or they’ve been writing/drawing longer than me, I’m such a newbie, I’m not successful enough, I don’t belong here. Stop. If you’re taking your craft seriously enough to want to work on it and improve it and connect with other people working on their craft, you belong. Grab your tote and get in there.

If you’re attending a conference this year, I hope you have a wonderful experience and learn many things. And if you’re attending one with me, say hello.